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Biannual webzine of Theater, Video and Sound | ISSN 2532-3830 | doi: 10.47109/0102
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Nuovo teatro made in Italy dal 1963
Gruppo Acusma
Dire Luce
Webzine
Opera and ideologies
Valentina Valentini
On coexisting, mending and imagining: notes on the domestics of performance
Giulia Palladini
Capitalism / feelings. Anachronism and utopia in the
Threepenny Opera
Günther Heeg
Mouvma! Performing arts and resistances in post-2011 Tunisia
Anna Serlenga
Art, theater, performativity, feminism in Agnese De Donato’s photography
Giada Cipollone
Discussions and conferences as performances in the seventies
Daniele Vergni
Sciami edizioni
Bill Viola. Testi e conversazioni 1976 – 2014
a cura di Valentina Valentini
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Sound
n°10 – October 21
,
Sound
,
Theater
Spaces of the voice, a cartography to be invented
Flavia Dalila D'Amico
,
Daniele Vergni
n°8 – October 20
,
Sound
,
Theater
The foot and syncope
Piersandra Di Matteo
n°7 - April 20
,
Sound
,
Theater
Patrizia Vicinelli. Rhythm, body and word between performance and poetry
Carla Subrizi
n°6 – October 19
,
Sound
The feminine of vocalism
Valentina Valentini
,
Chiara Guidi
n°5 – April 19
,
Sound
,
Theater
Endless variability of texts, voices, readings
Valentina Valentini
,
Chiara Lagani
n°5 – April 19
,
Sound
,
Theater
,
Video
Utopias and market: the role of artists in technological innovation
Flavia Dalila D'Amico
n°5 – April 19
,
Sound
,
Theater
,
Video
Video-iconographic atlas:
Nine Evenigs: Experiment in Art and Technology
, 1966
Flavia Dalila D'Amico
n°4 – October 18
,
Sound
Sounds Like Theatre
Janet Cardiff e George Bures Miller
n°3 – April 18
,
Sound
La voix : entre corps et langage
Guy Rosolato
,
Piersandra Di Matteo
n°3 – April 18
,
Sound
,
Theater
Space, voice, gesture between Nuova Musica and Nuovo Teatro Musicale
Daniele Vergni
n°3 – April 18
,
Sound
The Aura of the Aural
Ella Finer
n°2 – October 17
,
Sound
La voix
Guy Rosolato
,
Piersandra Di Matteo
n°2 – October 17
,
Sound
Sound architectures, iconographic-sound atlas
Lucia Pinzani
n°1 – April 17
,
Sound
Mime de voix, mime de corps : L’intervocalité sur scène
Helga Finter