ABSTRACT
A historical-critical study (not exhaustive but partial and significant), from an intermedia point of view, on what happened in Italy around the Video Art after the advent of digital age, is what we want to try to sketch here in a map of concepts, artists, texts, useful to read the most recent artistic, critical and expositive evolutions of the videographic imaginary. The reflection in Italy on Video Art has always been fragmentary, not systemic, it is therefore necessary to extend it over exhibitions, festivals, reviews, indipendent spaces, archives and significant critical texts.
This article is available in ITA.