The performing arts – the territory in which we operate with Sciami|ricerche – is a field in which the social and artistic share a space, in which a community finds itself together in a perceptive, acoustic, visual, tactile experience. If it is true that Walter Benjamin’s assumption that the new “collective innervations” of the sensory organs can open up very powerful processes of liberation – starting from the pre-eminence of cooperation, horizontality, connections – then the performative artistic action can bring about act a collective practice that undermines (or affirms) apparatuses and ideologies, provided that artistic and political dramaturgies mutually feed and interact.

SUMMARY N°10
Valentina Valentini, Opera and ideologies
Giulia Palladini, On coexisting, mending and imagining: notes on the domestics of performance
Günther Heeg, Capitalism / feelings. Anachronism and utopia in the Threepenny Opera
Anna Serlenga, Mouvma! Performing arts and resistances in post-2011 Tunisia
Giada Cipollone, Art, theater, performativity, feminism in Agnese De Donato’s photography
Daniele Vergni, Discussions and conferences as performances in the seventies
Mauro Petruzziello, Re-imagining with sound: Commedia dell’Inferno by Federico Tiezzi and Inferno by Romeo Castellucci
Conversation of Emanuele Dileone with Luigi Viola, Who is Luigi Viola?
Flavia Dalila D’Amico and Daniele Vergni, Atlas: Spaces of the voice, a cartography to be invented